How do sound and meaning converge? And what does it mean for your writing? This workshop will look at the sense our body makes of sound and how that translates into emotion and tone. That knowledge can help you identify why something “sounds” right or wrong and help you choose words that match intent and… Read more »

Viewpoint / Point of View (POV) may be the most confusing technique to understand when writing fiction. Viewpoint is the identity and emotional focus of the person who relates the events of a story, i.e. the narrator. It is an important part of the relationship between writer and reader. It is about whose “eyes” we… Read more »

Learn how much the Delaware Division of the Arts has to offer to writers and how easy it is to participate. Information on who is eligible and the application process will be covered. You will also learn what the Delaware Arts Roster can do to get your work in the public eye and open up… Read more »

Flash fiction is part narrative and part poetry. Since I tend to be image driven I think of it this way: Two people sharing a bed and neither is hogging the covers. Although most flash fiction stories are under 1,000 words, do not focus on word count. Do focus on beginning at a point of… Read more »

Even experienced writers make mistakes, but good writers learn to avoid the errors commonly made by novices that turn off editors, publishers, and readers. This workshop will cover a wide range of issues and provide hands-on exercises to help you identify flaws in your writing and learn how to fix them. Topics will include story,… Read more »

This class will begin with a brief explanation of modern Western haiku. After which, we’ll explore ways to use haiku as both a sitting and walking meditation for de-stressing and renewing creative energy. We’ll practice writing haiku using techniques of close observation and reflection. We will also look at ways in which haiku practice can… Read more »

Once a reader finds a writer they enjoy and can count on for a “good read,” they tend to read that writer “in depth,” meaning they read everything else he or she has written. Writing a series builds loyalty among readers and sends them back hungry for additional stories featuring the same characters. That increases… Read more »

Creative nonfiction writing is described as a genre of writing that uses literary styles and techniques to create factually accurate narratives. This workshop will discuss examples of creative nonfiction from several writers including the instructor, highlight the differences between creative nonfiction and other genres, such as historical fiction or news reporting, and emphasize that accomplished… Read more »

Who doesn’t like to talk about food? There are many different approaches to food writing and in this interactive workshop we’ll explore several of them. After examining illustrative examples, participants will experiment with a variety of ways to bring a tasty dish to life on the page. We’ll cover a number of forms (food blogs,… Read more »

Workshop description coming soon. About the Writer Robin Hill-Page Glanden was born and raised in Delaware and holds a Bachelors degree in Theatre Arts Education with a concentration in English/Journalism. Robin is a member of the Actors Equity Association, Screen Actors Guild and American Federation of Television and Radio Artists. She spent 20 years in Philadelphia,… Read more »

In this workshop, learn the major reasons you should write short fiction for anthologies—and how this can enhance your freelance writing career. What makes an anthology editor decide “yes” on a submitted story? What gets a definitive “no”? We’ll share ways to increase your odds for acceptance. We’ll also discuss how to work with an… Read more »